/ “Self portrait looking at snow”
from the series “These Days I Feel Like a Snail Without a Shell.” Shot during the first 2016 snow storm outside the artist’s apartment in Arlington, Virginia. 24×20 in., archival inkjet print.
Aditi Machado, Il y a un futur. Le futur passe., Meniscus
Matthew Mahaney, From the Mapmaker Fables, Small Senses, Music Exposure
Shayla Lawson, Strawberry Swing
Felicia Zamora, In Middle with Other, Peel-back, O for Passage
Cristiana Baik, Winter Solistice
Jasmine Dreame Wagner, A Vivid White Space
blends the features of a literary and an issue-oriented magazine to highlight the role of the modern writer as witness to his or her times. Launched in Detroit in 1987, the magazine is best known for showcasing work that defines its historical moment; special issues have focused on political oppression, religion, the natural world, crime, aging, civil rights, love, ethnic America, and exile. The issues “New Nature Writing,” “The Sixties,” “Sports in America,” and “The Best of Witness, 1987 – 2004” eventually appeared as university press anthologies.In 2007, Witness
moved to Black Mountain Institute at the University of Nevada, Las Vegas. The magazine now publishes one special print issue and two general online issues each year and increasingly seeks out work that contextualizes the American experience by highlighting issues of global concern.