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China Virus

By Witness Magazine
Poetry•Vol. 34 No. 2

by Jenny Hykes Jiang

 

I.
His mother’s voice crackles on NPR.
Driving Luke to high school before it stopped
we hear her mourn her son, Wen Liang, doctor
who first saw what’s now named COVID-19
unattached to place/people we can harm.
He had a son, five, a baby coming.
I stop listening at five, only hear
her putonghua—common language of Luke’s
nainai—not far from where she is—I think
of son, of father, dead. Not old enough
to be elderly. Not sick. But my son
hears another putonghua: “I always
feel good when I hear people speak Chinese.
It always gives me such a good feeling.”
II.
ThingsI can’t makemake senseof course it’s death
timespacehow we live withpeoplewe don’t live with
multitudeswe cannotspeak
withhow we don’tspeak one/same
languageorwhat mothersancestorschildren
carrywhat’s been
doneanother way to sayaloneness
survivinganotherherealso notright
hereallthe timealso thathistoryhappened
keepshappeningfreeshippingmy sonzooming
Englishmutedcamera off
III.
He was one when she came-claimed-relieved-re-
placed—not true—but I was tired and she knew,
so I receded, watching from somewhere
else—to be carried as she carried him.
The hours of singing. She crooned over him,
cooed, chanted rhymes of swallows scissored tails,
little birds who fly east, fly west, fly to
baby’s house and eat his rice. His cooing
sparrow voice, small hungry throat. His first word
Yao. What they wanted. Baby hands signed more.
They never tired. They were oceans. I watched
as if behind glass or under water,
or watching movies of people loving
in some other world where people know how.
IV.
Why, Luke asks, as if I knew anything
about these things do they call things Chinese—
checkers, Chinese handcuffs, Chinese fire drill,
Chinese jump rope. Does Chinese just mean weird?
Once a girl pulled her eyes into taut slits.
She was young. Her younger sisters laughed so
she called her sister chink. I can’t explain
or remember any reason why.
Only how it felt good to stretch my skin.
We were in the bathtub. We were that small.
A girl sings My mother’s Chinese, my father’s
Japanese, and look what happened to me.
Her baby coos, presses his finger
tips, signs yao. He cries more.
V.
I don’t knowif it’s okayto sayif there’s an okayI can
saywhat was thatwhat that waswhitenesspowersomething
meanmaybe what that was thatclaimedit wasokay
to saykungfluChina virusWuhan FluCCPVthis
diseaseit’s fromsomeplace
I knowthat placeit’sin
my bodynotapologynotexcuse
notenough notsorrowsomethingor one morething
we wait forwatchwhat other comorbiditieswe can
survive

 


Raised in rural Iowa, Jenny Hykes Jiang is a mother, poet, and educator in Northern California. Her poetry has appeared in several journals including Arts & Letters, Little Patuxent Review, and Chestnut Review. She has also delivered sermons and written liturgy for Oak Hills Church in Folsom, California.

 

 

 

Witness blends the features of a literary and an issue-oriented magazine to highlight the role of the modern writer as witness to his or her times. Launched in Detroit in 1987, the magazine is best known for showcasing work that defines its historical moment; special issues have focused on political oppression, religion, the natural world, crime, aging, civil rights, love, ethnic America, and exile. The issues “New Nature Writing,” “The Sixties,” “Sports in America,” and “The Best of Witness, 1987 – 2004” eventually appeared as university press anthologies. In 2007, Witness moved to Black Mountain Institute at the University of Nevada, Las Vegas. The magazine publishes one print issue and one online issue a year, and increasingly seeks out work that contextualizes the American experience by highlighting issues of global concern.

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