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The First Murmuration

By Sara Henning
Poetry•Vol. XXX No. 1 (Spring 2017)

Listen: a son broken open by his father’s body is becoming a starling.

We could call the father a sphinx moth lured to the boy’s nectarless throat. We could
call the glottal stops between his son’s stifled night calls an espionage of
pollen, an iron-studded infusion of musk.

But the son is not a swath of torn plumeria blossoms. He’s a sweat-split Eden where
no only means the sun is casting its mercy down, and he’s growing wings.

I want to tell you a story about fathers and sons, but it begins and ends with
a daughter.

I want to tell you about a son who bears a son in his image, but I’m asking you
to blur transfiguration with the Law of the Father.

Follow me to Des Plaines, White Fish Bay, a small town in Georgia I don’t have
to name: let’s watch the sons, blood in their flight feathers as they coil and
thrash.

Let’s watch the daughter raising her arms against the scale-free correlation become
another Angel of History.

Wherever a father’s asphyxiating on shame and vermouth, there are bottles
catching in his daughter’s heart like the pierce of starling song—not a
warning, but an urging.

Sara Henning
Sara Henning is the author of A Sweeter Water (Lavender Ink 2013), her debut collection of poetry, as well as two chapbooks, Garden Effigies (Dancing Girl 2015) and To Speak of Dahlias (Finishing Line 2012). Her work has appeared or is forthcoming in such journals as Quarterly West, Green Mountains Review, Crab Orchard Review, and RHINO. Winner of the 2015 Crazyhorse Lynda Hull Memorial Poetry Prize, she is a visiting assistant professor of English at Stephen F. Austin State University and serves as an associate editor of Sundress Publications.

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