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On Eroticism at Thirty

By Marianne Chan
Poetry•Vol. XXXI No. 3 (Winter 2018)

First: the piano. Then, the imagination.
Imagine a five-minute drive to the water.

Then, a violin, a slice of gala, the chill
behind the vents. Not mine, but someone’s

someone behind the window. Then,
imagine mine. It is all about simultaneity,

all about simulacrum, the man clearing the table
after dinner is not always engorged

as a flooded stream. He is often weightless,
arid as a traffic light blinking yellow. We have

entered our old shoulders at last. The sweat
on his collar bone forms a triangle

on his shirt. Focus on the angles. We are
not yet our mothers and fathers, but shapes,

lines, geometric. Think not of parenthood,
think not of death, of failure. Think

only smaller, small ideas. A five-minute
walk to the store, a segment of an orange,

French word for water. Eau, you say, eau.

Marianne Chan
Marianne Chan grew up in Stuttgart, Germany, and Lansing, Michigan. Her poetry collection all heathens is forthcoming from Sarabande Books in 2020. Her poems have appeared or are forthcoming in Indiana Review, The Journal, Poetry Northwest, BOAAT, West Branch, The Rumpus, and others. She has been nominated for Best New Poets and two Pushcart Prizes. She lives in Tallahassee, FL, and works as poetry editor for Split Lip Magazine.

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