by Lance Larsen
Brick and breviary, cobble and keepsake.
All day I tried to belong to that encircled city
but nothing would have me. The walls
that kept tourists in kept wonder out,
luscious Tuscan light used up by breakfast.
How could I give myself to 72 medieval
towers when 58 had been knocked down?
I touched the ones I could. Not enough.
I almost dissolved in a crow’s cocked eye,
my wife almost fell for a stab of cathedral
light. Not enough. You can belong to quivering
motes of dust or take a selfie but not both.
And no shriveled finger of a Saint
to buoy me up. That was in sister city Siena.
Something flew away, was it my hope
or a maimed pigeon in search of bread?
By day’s end, I was happy to sit at the bus stop,
owned by no one. Why, at that moment,
did some genius of bow and rosin
choose to practice Beethoven at an open
window? Why did that bungled song move me
and not the sites? Maybe I was tired, maybe
my drawbridges were finally down.
I have pictures galore, twisting stairs, stone
mouths burbling water, wind-licked dresses
drying on a line, a dragonfly pausing
on a cross⎯not one image of the sublime.
Was some diligent boy practicing for a try-out?
Or maybe a thirty-something divorcee
playing for her life? I squinted at that bank
of windows. Then gave up, relaxing
into seesawing octaves, eyes closed.
How do you take a picture of a broken song?
I was a stone saying thank you to rain,
some scruffy stray ready to taste everything.
Former poet laureate of Utah, Lance Larsen has published six poetry collections, most recently Making a Kingdom of It (Tampa 2024). His honors include a Pushcart Prize, The Missouri Review Prize, The Sewanee Review Prize, and an NEA fellowship. He teaches at Brigham Young University and likes to fool around with aphorisms: “A woman needs a man the way a manatee needs a glockenspiel.” Sometimes he juggles.
