by Stephen Gibson
—Norton Museum of Art, West Palm Beach, Fl.
Degas’s Little Dancer survived the Franco-Prussian War
where the starving ate rats, even wallpaper’s wheat glue
(they called them “gutter rabbits,” watching at sewers);
the wealthy had “antelope with truffles” on one menu
as enterprising Parisians became dog and cat butchers
and stole pets (which had not already been consumed);
on the same restaurant menu it also offered “bear paw”
and Castor and Pollux, two elephants from Paris’s zoo
turned into fine steaks, but only for the best customers;
Marie van Goethem also survived the Paris Commune,
the city uprising after France lost to Bismarck’s Prussia
(over twenty percent of Paris was bombed into rubble
by the National government); Degas’s bronze ballerina
is a copy. My wife took a photograph after I took hers.
Stephen Gibson is the author of eight poetry collections: Frida Kahlo in Fort Lauderdale (2024 Able Muse Press), Self-Portrait in a Door-Length Mirror (2017 Miller Williams Prize winner, University of Arkansas Press, selected by Billy Collins), The Garden of Earthly Delights Book of Ghazals (Texas Review Press), Rorschach Art Too (2014 Donald Justice Prize winner, Story Line Press; 2021 Legacy Title reprint, Red Hen Press), Paradise (Miller Williams Prize finalist, University of Arkansas Press), Frescoes (Idaho Book Prize, Lost Horse Press), Masaccio’s Expulsion (MARGIE/Intuit House Book Prize), and Rorschach Art (Red Hen Press).
